Tango (originally an African Kikongo word that translates roughly as the place/people of the dance) is one that today instantly conjures up images of sensual dancing, Latin sentiment and infectious rhythm.
This lesson will explore its required advanced technique, fluidity, tango rhythm, polyrhythms, and conquering plateaus.
This lighthearted tone is further advanced by the notation Un rien canaille at the beginning (approximate translation: “a worthless scoundrel”) to instruct the performer to be a little vulgar or coarse with the proceedings. This is Dyens’ very Gallic way of signifying that this piece is a caricature of the tango or perhaps a witty replica of it. The title translates literally as Tango and PVC (Skaï being a French slang word for fake leather, or PVC: polyvinyl chloride). Published in 1985 by Henry Lemoine, Tango en Skaï was one of Dyens’ concert improvisations until it was suggested he actually set it down. This lesson will cover how to approach this challenging work and also how to achieve more authenticity in your tango performances. Tango en Skaï by Roland Dyens (1955–2016), is a short, quite famous showpiece that will put your technique to the test.
From the Fall 2017 issue of Classical Guitar | BY RHAYN JOOSTE
0 kommentar(er)
